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Invisible Geometry of Fear

On Misreading Silence as Safety and Distance as Love

By Mark Lim Published about a month ago • 4 min read
Invisible Geometry of Fear
Photo by Jr Korpa on Unsplash

I didn’t understand what fear looked like. To a five-year-old, fear has a specific, cartoonish shape. It is loud. It is the shriek of a siren, the crash of thunder, the monster under the bed with glowing eyes. It is visible, tangible, and immediate. It is something you run from. But my father’s fear was none of those things. It was quiet. It was still. It was the absence of noise, the freezing of motion, the sudden drop in temperature when he entered a room. It wasn’t something you ran from; it was something you stood very, very still within, hoping it wouldn’t notice you. I mistook that stillness for peace. I mistook the silence for safety.

When people flinched, I thought they were just being clumsy. When voices dropped to whispers, I thought we were playing a game of secrets, a special club where only the initiated knew the rules. When eyes looked away, I thought they were shy, or perhaps respectful in the way one respects a king. I didn’t see the tension in their jaws, the white-knuckled grip on a coffee cup, the way their breath hitched before they spoke. I didn’t recognize the geometry of deference the way bodies angled themselves away from him, creating a protective buffer of empty space. I walked into that buffer. I sat in his lap. I asked questions in the middle of his silences. I was the only one who could, because I didn’t know I wasn’t supposed to.

And perhaps that was why he kept me close, even while keeping everyone else at bay. I was the only person in his orbit who didn’t recoil. I was the only one who didn’t treat him like a bomb waiting to go off. To him, my ignorance was a form of innocence. To me, his stillness was a form of presence. In a childhood defined by the chaos of bullying and the trauma of abuse, his immovable nature felt like an anchor. I didn’t realize that an anchor doesn’t move because it is heavy, not because it is safe.

But looking back, I see now that his fear was not of others. It was of himself. He feared his own anger, his own disappointment, his own inability to connect. He feared the vulnerability of being a father, of being soft, of being wrong. So he built a fortress of intimidation to keep the world out, hoping it would also keep his chaos in. He thought if people feared him, they wouldn’t hurt him. He thought if he controlled the room, he wouldn’t have to feel the vulnerability of being in it. He wore his power like a suit of armor, but he forgot that armor is heavy, and it isolates the person inside.

I didn’t understand that his distance was a defense mechanism. I thought it was just who he was. I thought love was supposed to be hard work. I thought affection was something you earned through utility, through silence, through being small enough not to disturb the air. So I learned to be small. I learned to be useful. I learned to read the micro-expressions of danger in others so I could avoid them, just as I had learned to navigate my father’s moods. I became an expert in reading fear in others because I had spent my childhood trying to decode it in him.

I saw it in the teacher who abused me not as fear, but as authority. I saw it in the classmates who bullied me not as their own insecurity, but as my own failure. I saw it in the partners I later manipulated not as their hesitation, but as my opportunity. I projected my father’s silent, imposing gravity onto every interaction. If I could make people pause, if I could make them hesitate, if I could make them careful around me, then I was safe. Then I was powerful. Then I was loved. But I never decoded it correctly. Not until now.

Now I see that the fear I saw in others was a mirror. They were afraid of his power because they didn’t trust his intent. And I was afraid of his absence because I didn’t trust my own worth. We were all dancing around the same void, pretending it was solid ground. I spent years building a persona that was sharp, efficient, and untouchable, thinking that if I was feared, I couldn’t be hurt. I coordinated secrets and traded influences, believing that control was the antidote to anxiety. But control is just fear in a suit.

I didn’t understand what fear looked like then. I thought it was a monster. Now I know it’s a mask. And my father wore his so well that I didn’t even know it was there. I thought he was strong because he didn’t feel. I didn’t realize he was terrified because he felt too much and had no language for it.

But I see it now. And in seeing it, I can finally take it off. I am learning that fear doesn’t have to be silent. It can be spoken. It can be shared. It can be held by another person without breaking it. I am learning that I don’t need to be an anchor to be loved. I can be a river, unpredictable, moving fast, and yes, alone sometimes, but connected to the ocean.

My father may still be a man people fear. But I am no longer a child who fears him. I am a woman who understands him. And in that understanding, there is no anger. There is only sadness. And a quiet, determined hope that I can be different. That I can be loved not for what I can do, but for who I am. And that is a lesson no one ever taught me. I had to learn it myself, by unlearning everything I thought I knew about the shape of fear.



Fantasy

About the Creator

Mark Lim

Hi I am mark an automotive student and a car, tech and food enthusiast ! Im gonna try and post daily & hope you enjoy what I write and do share my page with people you know. I would gladly appreciate it! Cheers

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    Written by Mark Lim