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Deadly Last Call

A New England tavern is the site of a "last call" murder scene

By Clyde E. DawkinsPublished 25 days ago 5 min read
Deadly Last Call
Photo by Sérgio Alves Santos on Unsplash

The neon sign outside The Final Pour, a bar located in Hartford, flickered like a dying heartbeat, casting red shadows across the rain-slicked sidewalk. Detective Lena Vargas pushed through the door just after midnight, the air thick with the ghosts of spilled whiskey and cigarette smoke that never quite left the place. The bar was empty now, chairs upturned on tables, the jukebox silent. Only the body remained, sprawled behind the counter in a pool of dark blood that had already begun to congeal.

Marcus Hale, 44 years of age, local real estate developer with more enemies than friends. His throat had been cut clean, one deep stroke from left to right. No struggle marks on his hands. The medical examiner estimated time of death between 1:45 and 2:15AM.—right around last call.

Vargas crouched beside the corpse. Hale’s right hand still clutched a half-empty rocks glass, the ice long melted. On the bar sat the usual detritus of closing: a damp rag, a stack of credit card receipts, and a single lipstick-stained cigarette butt in a chipped ashtray. The register was locked. Nothing stolen.

Vargas interviewed the night’s remaining players one by one in the back office that smelled of old wood and bleach.

First was Tommy Parks, the part-time cook who’d left at 1:00 after the kitchen closed. He’d seen Hale arguing with someone near the restrooms, but couldn’t say who.

“Just voices. Man and a woman. Sharp.”

Next up, the two regulars who’d lingered for last call: old Frank, who claimed he’d been too drunk and going on and on about the old Hartford Whalers to notice anything, and the quiet accountant, Claire Ruiz, who’d paid her tab and walked out alone at 1:50.

Claire was the interesting one. 35 years of age, dark hair pulled tight, eyes that didn’t flinch when Vargas described the wound. “Marcus was a regular,” Claire said. “Always ordered the same thing. Double bourbon, neat. Last call was his favorite time. Said the bar belonged to the serious drinkers then.”

Vargas checked the security cameras. The system had glitched at 1:40—static for 22 minutes. Convenient. The exterior camera caught Claire leaving at 1:52, umbrella up against the rain. No one else exited until the cleaner arrived at 6:00 and found the body.

Motive was easy enough to dig up. Hale had been sleeping with half the town and stiffing the other half on deals. Claire’s name surfaced in a different file: three years earlier, her younger sister, Reina Ruiz, had died in a car accident after a night of heavy drinking. The driver who’d walked away with a suspended license was Marcus Hale. The case had been buried under money and connections. Claire had testified at the civil hearing, calm and precise, and lost. She’d never remarried, never left the neighborhood. She worked as a freelance bookkeeper and stopped into The Final Pour two or three nights a week.

Vargas brought her back in the next afternoon.

“You stayed late last night,” said Vargas.

Claire sat with perfect posture. “I always do on Thursdays. Last call feels honest. No pretense left.”

“The cameras failed. Funny timing,” said Vargas.

“Bars break. Things break,” Claire said, still maintaining her composure.

Vargas laid the lipstick cigarette on the table between them. “Yours?”

Claire didn’t reach for it. “Could be. I smoke when I’m thinking.”

“Thinking about what?” asked Vargas.

“About how some men never pay for what they take,” replied Claire, her composure slowly turning ominous.

The lab results came back that evening. Trace amounts of a sedative in the residual bourbon in Hale’s glass—enough to slow him, not enough to kill. The cut had been the end. The medical examiner noted the angle: the killer had stood behind him, right-handed, decisive. No defensive wounds. He’d trusted the person close enough to pour his last drink.

Vargas returned to the bar after dark. The owner had given her the keys. She stood where Hale had stood, behind the counter, and looked out at the empty stools. Last call. The moment the night narrows to the people who refuse to leave.

She found the second glass in the dishwasher, rinsed but not run. A faint lipstick print on the rim matched the cigarette. Claire’s brand. And under the bar, taped inside the cabinet where the good bottles lived, a small folding knife with a mother-of-pearl handle. Cleaned, but the sheath still held a microscopic smear of Hale’s blood type.

Claire opened her door at 11PM without surprise.

“You knew he’d stay for last call,” Vargas said. “You always knew.”

Claire stepped aside. The apartment was sparse, a single photograph on the wall of a young woman who looked like her, smiling on a beach. “He ordered the same drink every time," said Claire. "I offered to pour it myself when the bartender stepped out for a smoke. He liked the attention. Men like him always do.”

“You slipped him the sedative.”

“Just enough so he wouldn’t fight," Claire said calmly. "I waited until the place was empty. Last call means the serious ones remain. He thought he was one of them.”

Vargas kept her voice level. “Your sister.”

Claire’s face didn’t change. "Reina," she said somberly. “She was only 24 that night, three years ago. Hale laughed about it once, years later. Said some people shouldn’t drive. I decided some people shouldn’t keep breathing.”

Claire didn’t resist the cuffs. On the ride to the station, Claire stared out at the wet streets and said, almost conversationally, “You know what last call really is? It’s the moment you decide whether the night ends or something else begins. Hale called for another round. I answered.”

Vargas wrote the report at dawn. The knife, the print, the residual sedative, the history. Open and shut. Claire Ruiz waived counsel and signed a full confession before noon. In it she described the exact sequence: the pour, the quiet minutes after the others left, the moment she stepped behind him while he studied his glass as if it still held answers. Following her confession, Claire made the following request to Vargas:

"Make sure Reina is remembered."

The Final Pour reopened three days later under new management. The neon still flickered. Regulars still drifted in near closing, ordering one more as the lights came up. Most of them never knew why the stools felt different, or why the bartender now called last call a few minutes early and locked the door with a firm, practiced hand.

Vargas drove past once, weeks later. The sign glowed the same blood-red. She didn’t stop. Some nights the truth is simple. A woman waited for the hour when the pretense ended, poured one final drink, and closed the book on a debt that had never been paid.

Last call. The serious ones remain.

MysterythrillerShort Story

About the Creator

Clyde E. Dawkins

I'm a big sports fan, especially hockey, and I've been a fan of villainesses since I was eight! My favorite shows are The Simpsons and Family Guy, etc.

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    Written by Clyde E. Dawkins