Fiction logo

A Witness Takes the Stand

Or, The Fate of The Stolen Isabella Stewart Gardner Works

By Ava MackPublished 3 years ago • 1 min read
The frame of "The Storm on the Sea of Galilee" remains empty at the ISG. Photo: Josh Reynolds/AP

"It was big in the '90s, the idea of stockpiling art for when ya needed to negotiate a heavyweight out of federal.

Ya gotta have some brains on an art heist, though, and they sent in two goons who couldn't tell a bus stop marquee from art.

They sent them in with a list, ya know, like ya wife's grocery list.

They get in, tie the guards up no problem, but it takes them half an hour to find the friggin' room - The Dutch Room. They pull the frames off the walls and start cuttin' out the paintings - easier to roll them up - well, they crumbled in their hands. This shit's old. You ever seen National Treasure? When they're usin' lemon juice and a hairdryer on the friggin' Declaration of Independence? It would've evaporated. And most of these paintings were older than that, so.

Somethin' took over, panic, I guess. They kept cutting, trying to roll them, and it all turned to dust. They thought it was somethin' in the room, so they tried The Blue Room, Short Gallery - but it was all the same."

"And the beaker and the eagle?"

"Well, they couldn't leave empty-handed."

MicrofictionMysteryFantasyShort Story

About the Creator

Ava Mack

Poetry and little thoughts

Boston, MA

www.avamariemack.com

Enjoyed the story? Support the Creator.

Subscribe for free to receive all their stories in your feed. You could also become a paid subscriber, letting them know you appreciate their work.

Subscribe For Free

Reader insights

Comments

There are no comments for this story

Be the first to respond and start the conversation.

Sign in to comment
    Written by Ava Mack