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Why I'm writing a Children's Book

My inspiration comes from my grandsons' imaginations.

By John CoxPublished 3 years ago Updated 3 years ago 3 min read
The Cover Illustration for my first Children's Book

It is only with the heart that one can see rightly; what is essential is invisible to the eye. ― Antoine de Saint-Exupéry, The Little Prince

Both of our grandsons actively engage their imaginations in their play, whether one-on-one with me or when both visit us. What would happen if their imaginings came to life?

When one of them yells, "Look out grandpa, a train," a whistle would suddenly blow, smoke billowing through the sky. How would a mystified grandfather respond to such a mind-blowing turn of events? How would you?

Both our grandsons are whirlwinds of energy: running, jumping, shouting, each fighting to control the play. Whether frolicking in our pool in the summer or on the trampoline throughout the rest of the year, it is not enough for them to simply swim and splash or jump up and down like maniacs. After all, there's adventure to be had.

I'm no slouch in the imagination department. Theoretically, I can cleverly and rationally tame the deadliest imagining. Campbell shouts "A shark!" and points at the empty grass behind the trampoline.

I shout back - "Sharks need water! No water, no sharks."

But he quickly parries, shouting - "The trampoline is filling with water," and points again in terror at the grass.

It doesn't matter how clever I am. I throw a harpoon at the shark, he declares that I missed. The game cannot continue until the shark attacks and we swim for our lives. That is after all the point of the game. We have to face the crisis, whatever it is.

I can never avoid these imagined encounters when our grandsons engage their imaginations.

Although I have toyed for years with the idea of illustrating and writing a children's book, I never really had a story concept interesting enough to put in the energy and effort of such a project. Creating the artwork alone can consume hundreds and even thousands of hours.

When my wife suggested creating one based my interactions with my grandsons Campbell (age 7) and Hunter (age 6), the idea of creating a story using their imaginings began to take shape in my mind.

But in order to create the book, I had to determine how best to create the illustrations. I started drawing caricatures in the eighth grade and cartoons even earlier. The political cartoon below shows the style that I developed while I worked as a guest cartoonist at the Columbus Ledger Enquirer in the late 1980's.

After asking Columbus to build a new stadium, the Mudcats, a minor league baseball team left town.

But after preparing a few test drawings of our eldest grandson that my wife said looked nothing like him, I knew I needed to create a completely new style for the book.

This ultimately led to investing in a high-quality art program (Rebelle 5) and computer drawing tablet (Gaomon). After several months of learning how to best to use Rebelle 5 to achieve the vision that I had for the book, I started preparing illustrations using a new style that I describe as comic realism. The illustration below was taken from the throwaway page prior to the beginning of the story.

Giving credit where credit is due. Campbell typically creates at least one book during every visit.

I loved the Dr. Suess story books as a child. His rhyme schemes create a lilting rhythm that is soothing for children and fun to read aloud. For the storytelling in my book, my goal is to create a similar rhythm while complementing the illustrations.

This illustration captures the boy's personalities. Hunter is a blur of motion, but Campbell is more subtle.

On the facing page, I begin to foreshadow what will happen in the story when their imaginations come to life.

I lay down the rules that they will not follow. Why do I even bother?

The story builds slowly to the first crisis. But once it arrives, all heck breaks loose.

Campbell cranks up the drama by imagining the first dangerous scenario.

I play the action out in the next two panels.

Naturally, the engineer is a clown. It's a toy train after all.
It's all so inevitable.

Hunter's turn is next and soon I find myself in space with a helmet that does not fit.

Grandpa's most important job. Fall guy.
What goes up must come down.

Of course, much more awaits me since the boys have barely begun. The completed book will have thirty-four illustrations. With twenty-three completed only eleven remain. I have shared a few of them to give you a sense of what the finished book will look like and look forward to sharing the completed story on Vocal. I hope to finish it sometime in March.

In the meantime, those of you who are parents, cherish your children's early years. They pass all too quickly. I know the grandparents reading my essay will not need this encouragement. Grandchildren are the best thing about growing old!

childrenartfact or fictiongrandparents

About the Creator

John Cox

Where would you like to travel? Who would you like to meet? No ticket required, a surprise at every destination guaranteed. Strap on your time travel goggles and bring a compass. It's sometimes bumpy in my imagination, so hold on tight!

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    Written by John Cox