Movie
So I watched M3GAN 2.0 (2025)
M3GAN 2.0 (2025), directed by Gerard Johnstone, arrives with the challenging task of following up the surprise hit of 2023. Where the original film carved out a unique niche blending campy horror with surprising emotional depth and sharp social commentary on technology and parenting, the sequel makes a decisive shift in tone and genre that proves to be both its greatest strength and most significant weakness.
By Parsley Rose about a year ago in Critique
SHELL Review: A Body Horror Comedy that Entertains
Shell is a body horror black comedy directed by Max Minghella, starring Elisabeth Moss and Kate Hudson. The film tells about the obsession for beauty and youth in Hollywood and in society in general. Shell could well be a parody of The Substance, the body horror movie directed by Caralie Fargeat, which was the big sensation of 2024.
By Ninfa Galeanoabout a year ago in Critique
Finally Sat Down to Watch Midsommar (2019)
Ari Aster's 2019 film Midsommar represents an ambitious and polarizing entry in contemporary horror cinema. Following his acclaimed debut *Hereditary*, Aster crafts a folk horror experience that deliberately inverts the genre's visual conventions while exploring the dissolution of a toxic relationship against the backdrop of a Swedish pagan festival. The result is a film that is simultaneously beautiful and disturbing, meditative and visceral, earning both ardent admirers and vocal detractors.
By Parsley Rose about a year ago in Critique
Jurassic World: A Promising Rebirth or a Familiar Rehash?
When the Jurassic World: Dominion credits rolled, a collective sigh of relief and, for many, a sense of finality was palpable. The trilogy had concluded, but the dinosaur saga, now a global phenomenon, felt more apathetic than ever. Enter Jurassic World Rebirth, a title that, from its inception, promised to revitalize a franchise bogged down by its own ambition. With the return of original Jurassic Park scribe David Koepp and the visually masterful Gareth Edwards at the helm, the hype was undeniable. The question, however, remained: could this film live up to its name, or was it destined to be another echo of a bygone era? The answer, as it turns out, is a complicated mix of both.
By MarqueeNarrativeabout a year ago in Critique
8 Mile: The Sorrow of a Raunchy Dream and a Daily Battle
This 2002 film is not just a foray into the realm of rap ut a reflection of a man's battle within himself with his own personal demons. It is a raw and unflinching story that lingers long after the end credits. The weight of beginnings The opening scene of the film, where the street runs alongside 8 Mile Road, is symbolic of Detroit's richer and poorer residential areas. It is not merely a geographical divide but a cultural, social d economic one. Jimmy, who is played by Eminem, lives in Detroit, where dreams are shattered before they can even take shape. The film offers this reality untransformed and unadorned. Behind every rhyme that he spits in battles, he tells a part of his story. It is the weight of his origin, this idea of life in which opportunities are often determined by where you're born. Jimmy is not just a rapper who desires to be famous – he is a human, a son of the city, a creation of circumstances. He must fight day in and day out, not just to remain relevant in rap, but also to survive in this life in which everything seems to be denied him. Rap as catharsis One of the most powerful aspects of 8 Mile is how rap is used as catharsis. Rap is not a pastime for B-Rabbit. It is a release, a lifeline, a way of expressing what words sometimes cannot. The rap battles, the focal point of the film, are actually far more than arguments. They are a way for Jimmy to process his anger, desperation and frustrations into something tangible. Each battle, he lets off steam, frees himself and most crucially, finds his voice. The thing most amazing about 8 Mile is that the film does not glamorize rap as a shortcut to fame or riches. No, music in this film is a daily struggle, a way to prove we exist, that we matter, even if the rest of the world is opposed to us. The lyrics, often harsh, are knives thrust into the something society does not want to look at: the shattered hopes, the lives intertwined in the services of the system. The final scene: the lion's awakening The final scene, the final battle, is maybe one of the most thrilling experiences of cinema today. Not only is it a victory for Jimmy, but also a redemptive one. In his speech, he no longer battles his foes. He battles his demons, his frailties. By turning his frailties against him, he takes charge of his life, his destiny. It is this self-confrontation, in which he accuses his mistakes, his frailties, which is of a rare vigor. It is a movement towards liberty, a cry of victory over a world that has always considered him a loser. The anthem "Lose Yourself" accompanying this scene is merely the icing on the cake. The lyrics are a rallying cry to take your moment, to not let the moment get away from you, even if it feels minute. This song, now an anthem to an entire generation, rings out like a battle cry against surrender. An era, a culture 8 Mile is more than a rap movie. It is a symbol of an era. The early 2000s were the height of the rap era but also the beginning of a wild youth culture that could not be vanquished. Detroit, its abandoned factories and vacated streets, is a character in the film. It is symbolic of an era where everything seemed to be falling apart, yet where children, despite it all, fought for their dreams. It is not merely the story of an artist's ascension to greatness. It is a tapestry of struggle. It is a study of small, small wins. And while the ultimate win appears to be a triumph, the message of the film is that victory does not always rest with external triumph, but with triumph over the self. The concept that, no matter where you begin, one can retool oneself, struggle and occasionally, emerge victorious. Nostalgia for a lost dream? Throughout the length of 8 Mile, we have an overarching feeling of nostalgia. It is one of dreams, of hope, of youth fighting for something more than themselves. And it's also one for a lost time, for a time when we still believed that anything was possible. The years go by and we realize that 8 Mile is more than just a rap movie. It is one about life itself. Life as it exists, with its victories and its losses, its highs and its lows. But it is also a film about hope, of the sort that never dies, not even in the worst of times. When you watch 8 Mile, you do not merely see Eminem. You see a generation, a struggle, a search for meaning in a world that too frequently casts aside the voiceless. This film, as with the music that comes before it, is a testament to what it is to fight for your dreams, even when hope is gone. It is this that makes this film both universal and timeless.
By Baptiste Monnetabout a year ago in Critique
Beauty in Black Season 2: Power, Money, and Chaos Are Back on September 11, 2025!
Okay, friends, grab your snacks and a comfy chair, because Beauty in Black Season 2 is almost here, on September 11, on Netflix. It promises even more drama, intrigue, and jaw-dropping moves than the first season. Yes, like before, there’s plenty of time to soak in the chaos, bringing the signature mix of charm and edge.
By Sara Yahiaabout a year ago in Critique
3 TV Shows and 10 Truths: From Background Hummus to Main Course
For decades, Hollywood treated Arab women like background hummus, flat, decorative, and just there to make someone else look exotic. Veiled, silent, or sighing theatrically, they were reduced to one-note caricatures. Finally, that’s changing.
By Sara Yahiaabout a year ago in Critique
