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Finding the Pulse of Love: My Review of Emmanuelle Pagano’s 'Trysting'

Why it took me twenty pages to fall completely in love with an unforgettable, plotless masterpiece.

By Alyson Smith Published 20 days ago 2 min read

For me, Emmanuelle Pagano’s Trysting was not a book I could simply sit down and read. It was a book I had to learn how to breathe with. As someone used to traditional plots and recurring characters, opening this text was a lesson in literary disorientation. It took me about twenty pages to finally get into the swing of Pagano's unconventional rhythm. However, once my mind calibrated to its unique frequency, I was entirely powerless against its magic. I loved it. Unreservedly.

To understand why Trysting required a brief adjustment period, I had to look at its architecture. The book is a kaleidoscopic mosaic of roughly 300 unnamed, first-person vignettes. Some stretch across a page or two; others are nothing more than a single-sentence epigram. They feature a boundless array of voices spanning different genders, ages, and backgrounds, all speaking from the raw center of an intimate moment.

When I first opened the book, this structure felt like a barrage of disconnected whispers. Without a central protagonist or a clear conflict, those first twenty pages felt like wading through fog as I searched for anchors that did not exist. But around page twenty, I stopped looking for a traditional plot and started listening to the collective harmony of the voices. I suddenly realized that the main character here is love itself, caught in its infinite, fractured, and fleeting states of beginning, bruising, and ending.

Once I found my footing, Pagano’s genius truly revealed itself to me. She possesses a rare, staggering ability to anchor massive, sweeping emotional truths to the most mundane physical objects. I saw relationships dissected and remembered not through grand romantic gestures, but through the specific textures of everyday life, like the tension of a rubber band, the mechanics of a bicycle chain, the fleeting breath inside a balloon, or the exact smell of a lover's wool coat.

By grounding these nameless monologues in the sensory world, Pagano entirely avoids the cliché traps that plague most romantic literature. For me, the prose became deeply tactile; I wasn't just reading about desire, I was feeling the temperature of a specific room, the quiet shift of weight in a shared bed, and the bruising impact of a silent departure.

Ultimately, I see Trysting as an absolute masterclass in experimental fiction, one that actively rewarded my patience. It demanded that I slow down, shed my lifelong expectations of how a novel should work, and fully surrender to a completely different kind of storytelling.

While the initial hurdle tested my patience for a handful of pages, the payoff was an addictive, deeply moving, and unforgettable celebration of human connection. It stands as a stunning treasury of amorous moments that I know will linger in my mind long after turning the final page.

https://www.amazon.co.uk/Trysting-Emmanuelle-Pagano/dp/1931883564

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About the Creator

Alyson Smith

Neurodivergent, working-class writer and artist diagnosed with Bipolar. Based in Newcastle-upon-Tyne. MA in Creative Writing. Currently waitressing while finishing my novel.

https://alysonsmith.blog

https://buymeacoffee.com/alysonsmith

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    Written by Alyson Smith