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ACCESSORY BEFORE THE FACT, Part 1/3

Fiction

By Mountain TreePublished 3 months ago 4 min read
1
ACCESSORY BEFORE THE FACT

At the moorland cross-roads Martin stood examining the sign-post for several minutes in some bewilderment. The names on the four arms were not what he expected, distances were not given, and his map, he concluded with impatience, must be hopelessly out of date. Spreading it against the post, he stooped to study it more closely. The wind blew the corners flapping against his face. The small print was almost indecipherable in the fading light. It appeared, however—as well as he could make out—that two miles back he must have taken the wrong turning.

He remembered that turning. The path had looked inviting; he had hesitated a moment, then followed it, caught by the usual lure of walkers that it “might prove a short cut.” The short-cut snare is old as human nature. For some minutes he studied the sign-post and the map alternately. Dusk was falling, and his knapsack had grown heavy. He could not make the two guides tally, however, and a feeling of uncertainty crept over his mind. He felt oddly baffled, frustrated. His thought grew thick. Decision was most difficult. “I’m muddled,” he thought; “I must be tired,” as at length he chose the most likely arm. “Sooner or later it will bring me to an inn, though not the one I intended.” He accepted his walker’s luck, and started briskly. The arm read, “Over Litacy Hill” in small, fine letters that danced and shifted every time he looked at them; but the name was not discoverable on the map. It was, however, inviting like the short cut. A similar impulse again directed his choice. Only this time it seemed more insistent, almost urgent.

And he became aware, then, of the exceeding loneliness of the country about him. The road for a hundred yards went straight, then curved like a white river running into space; the deep blue-green of heather lined the banks, spreading upwards through the twilight; and occasional small pines stood solitary here and there, all unexplained. The curious adjective, having made its appearance, haunted him. So many things that afternoon were similarly—unexplained: the short cut, the darkened map, the names on the sign-post, his own erratic impulses, and the growing strange confusion that crept upon his spirit. The entire country-side needed explanation, though perhaps “interpretation” was the truer word. Those little lonely trees had made him see it. Why had he lost his way so easily? Why did he suffer vague impressions to influence his direction? Why was he here—exactly here? And why did he go now “over Litacy Hill”?

Then, by a green field that shone like a thought of daylight amid the darkness of the moor, he saw a figure lying in the grass. It was a blot upon the landscape, a mere huddled patch of dirty rags, yet with a certain horrid picturesqueness too; and his mind—though his German was of the schoolroom order—at once picked out the German equivalents as against the English. Lump and Lumpen flashed across his brain most oddly. They seemed in that moment right, and so expressive, almost like onomatopœic words, if that were possible of sight. Neither “rags” nor “rascal” would have fitted what he saw. The adequate description was in German.

Here was a clue tossed up by the part of him that did not reason. But it seems he missed it. And the next minute the tramp rose to a sitting posture and asked the time of evening. In German he asked it. And Martin, answering without a second’s hesitation, gave it, also in German, “halb sieben”—half-past six. The instinctive guess was accurate. A glance at his watch when he looked a moment later proved it. He heard the man say, with the covert insolence of tramps, “T’ank you; much opliged.” For Martin had not shown his watch—another intuition subconsciously obeyed.

He quickened his pace along that lonely road, a curious jumble of thoughts and feelings surging through him. He had somehow known the question would come, and come in German. Yet it flustered and dismayed him. Another thing had also flustered and dismayed him. He had expected it in the same queer fashion: it was right. For when the ragged brown thing rose to ask the question, a part of it remained lying on the grass—another brown, dirty thing. There were two tramps. And he saw both faces clearly. Behind the untidy beards, and below the old slouch hats, he caught the look of unpleasant, clever faces that watched him closely while he passed. The eyes followed him. For a second he looked straight into those eyes, so that he could not fail to know them. And he understood, quite horridly, that both faces were too sleek, refined, and cunning for those of ordinary tramps. The men were not really tramps at all. They were disguised.

“How covertly they watched me!” was his thought, as he hurried along the darkening road, aware in dead earnestness now of the loneliness and desolation of the moorland all about him.

Vocal Book ClubFictionBook of the WeekAuthor
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About the Creator

Mountain Tree

Meet Mountain Tree: Crafting Words, Scaling Heights

In the realm of literature, where words become the architects of imagination, one writer stands tall, rooted in the profound love for storytelling and a passion for nature.

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