Natasja Rose
Bio
I've been writing since I learned how, but those have been lost and will never see daylight (I hope).
I'm an Indie Author, with 30+ books published.
I live in Sydney, Australia
Stories (346/0)
Whether or Not You Support Israel, You Should Condemn Hamas
I'll be the first to admit that the Palastineian- Israeli conflict is complex, and if there was ever a simple solution, it's probably not going to be on the table for years to come, after recent events.
By Natasja Rose7 months ago in The Swamp
- Top Story - October 2023
In The EndTop Story - October 2023
At the End, I will be alone. I don't know if I believe in an afterlife, or whatever God or Gods or Higher Power holds judgement over who goes where. If they do exist, I will face them alone. I will be beautiful in my scars, shielded and weighed by my actions and inactions, but I will be alone.
By Natasja Rose7 months ago in Psyche
The No Vote
Global Internet Australia Voted "No" I am embarrassed. Welcome to Country: As I write this piece, I wish to acknowledge the Wangal people of the Eora nation, traditional owners of the land, whose soverignty and connection was never ceded. I pay my respects and regrets to the elders; past, present and emerging
By Natasja Rose7 months ago in Poets
- Top Story - October 2023
The Voice: A Historic DisappointmentTop Story - October 2023
Welcome to Country: As I write this piece, I wish to acknowledge the Wangal people of the Eora nation, traditional owners of the land, whose soverignty and connection was never ceded. I pay my respects and regrets to the elders; past, present and emerging.
By Natasja Rose7 months ago in The Swamp
- Top Story - September 2023
Galavant
Galavant is the "Shrek" of the Epic Hero's Journey, except it stopped short of running the franchise into the ground. It's extremely self-aware, knows how to keep the plot-twists coming without overdoing them, balances truly touching emotional moments with side-splitting comedy, and comes with a catchy, singalong soundtrack.
By Natasja Rose9 months ago in Critique