Two thirds of a way.

Tells half of the whole story.

Tells only one angle of the book.

Tells only half a volume of a set.

Tells only two thirds of a nice song that got hung by note.

To which end can one commit to see the omission of the story.

For the love of the letter,

what ever is the real deal can be used to fulfill the destiny of a page.

. the fate of a chapter.

. . to seal the set of a volume.

. . . to make the whole thing devoted to the writing life of a pen.