Happy Batman Day! In honor of this occasion, I thought it would be fitting to look back at the first year of the DC Universe streaming service. Below, I have written down the shows, movies, and comics that I experienced through DC Universe. Though I did not quite get everything down, this whole reflection goes to show just how much content there is to explore on the service.
After the Open Your Eyes Tour wrapped up in 1998, the Yes lineup of Jon Anderson (vocals), Steve Howe (guitar), Igor Khoroshev (keys), Billy Sherwood (rhythm guitar), Chris Squire (bass), and Alan White (drums) felt ready to record another album. Needing an outside perspective, they decided to work with producer Bruce Fairbairn at Armoury Studios in Vancouver. While Open Your Eyes was very poppy, the poppiness on the next album that became The Ladder was dialed back a bit, and there was plenty of prog rock. The album felt like a good blend of old and new. It includes ethnic instruments, some of which were played by Randy Raine-Reusch. In addition, Rhys Fulber contributed dance loops, and The Marguerita Horns played horns.
In 1997, keyboardist Rick Wakeman left Yes (again) after being displeased with promotional strategies regarding the Keys to Ascension albums and the lack of communication with Yes management. As a result, some tour dates were canceled. Billy Sherwood, who had been mixing the studio tracks on Keys to Ascension 2, decided to come in and help since he wanted Yes to keep on going. He had known bassist Chris Squire since the late 1980s, and was considered as a potential replacement for vocalist Jon Anderson prior to 1991s Union. Though Anderson's voice replaced Sherwood's on "The More We Live-Let Go," Sherwood's bass playing remained intact. In 1992, he had toured with Squire as part of The Chris Squire Experiment (with Alan White on drums). And in 1994, Sherwood performed with Yes at their shows on the Talk Tour. Plus, in 1995, he sang "Wonderous Stories" on the tribute album Tales from Yesterday. So he wasn't a musician who came from nowhere; he was very familiar with Yes music and had worked with Yes members.
Ten years ago, the sitcom Community premiered on NBC. Chronicling the adventures of a community college study group, the production history of the show involved a showrunner change-up for the fourth season, a cancellation at the end of the fifth season, and a sixth season revival on the short-lived Yahoo! Screen. Despite all this and cast changes, the show made it to six seasons, bringing #SixSeasonsAndAMovie closer to completion. A movie would be very welcome, but for now, people can still watch the entire show. In honor of the tenth anniversary, below are ten reasons to watch (or rewatch) Community.
This particular album review is a bit of an odd one. Keystudio was released in 2001, but it's a compilation of material released years earlier. In 1995, Trevor Rabin and Tony Kaye left Yes. Vocalist Jon Anderson, bassist Chris Squire, and drummer Alan White reunited with guitarist Steve Howe and keyboardist Rick Wakeman as what has been known as the "classic lineup," which had put out Tales from Topographic Oceans, Going for the One, and Tormato in the 1970s. In addition, Roger Dean returned to continue creating artwork for their albums.
After the Union tour, it was clear that Yes would not be able to continue as an eight-member lineup. Bill Bruford and Steve Howe departed, though they contributed to a 1993 orchestral album by the London Philharmonic Orchestra titled Symphonic Music of Yes. There were plans for Rick Wakeman to take part on the next Yes album, but scheduling conflicts prevented that from happening. And so it came down to the "Yes West" lineup of vocalist Jon Anderson, keyboardist Tony Kaye, guitarist Trevor Rabin, bassist Chris Squire, and drummer Alan White.