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Book Review: The Theatre of Glass and Shadows by Anne Corlett

A theatre-themed historical fiction tale set in an alternate London in the mid-20th century

By Marie SinadjanPublished 28 days ago Updated 14 days ago 4 min read
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Sometimes the greatest spectacle hides the darkest secrets . . .

In an alternate London, the city's Theatre District is a walled area south of the river where an immersive production - the Show - has been running for centuries, growing ever bigger, more sprawling and lavish. The Show is open to anyone who can afford a ticket but the District itself is a closed world; even the police have no jurisdiction within its walls.

Juliet's mother died when she was a baby. Brought up by her emotionally distant father and even more distant stepmother, she has never felt wanted. It's only when her father passes away that Juliet - now nineteen - learns her birth was registered in the District. Desperate to belong somewhere at last, she travels to London where she hopes to unearth the truth about her identity, her mother's death and her father's years of silence - and claim her birthright.

But in the District, there is only one central truth: the Show must go on. And in a world where illusions abound, and powerful men control the narrative, Juliet has no idea of just how far some will go to ensure certain stories are never told . . .

For fans of The Miniaturist and The Doll Factory, The Theatre of Glass and Shadows is a place where nothing is as it seems.

GENRE: Historical Fiction / Alternate History

PURCHASE LINK: Amazon

ABOUT THE AUTHOR: Anne is originally from the north-east, but somehow slid down the map and finished up in a small village near Bath, where she lives with her partner and three sons. She has an MA in English Language and Linguistics from Edinburgh University, and an MSt in Linguistics from Oxford University. During her postgraduate studies, she worked as an etymologist and proofreader for a dictionary, carrying out research at the Bodleian Library.

Armed with her linguistics-related degrees and work experience, Anne took the somewhat illogical next step and became a criminal lawyer. In 2011, after several years spent working in the London courts and police stations, Anne remembered that she’d actually planned to be a writer, and commenced work on her first novel. This was slightly unfortunate timing, given that she was right in the middle of relocating to Somerset with her family, who seemed to feel that a little less novel-writing and a little more packing might be warranted. They probably had a point.

Over the next couple of years Anne fitted writing work around her day job as a solicitor. Her writing has appeared in various newspapers, magazines and anthologies, and has won various awards.

In 2016, The Space Between the Stars was published by Pan Macmillan in the UK and Random House in the US. She wrote most of this novel while studying for a Creative Writing MA at Bath Spa University. Her second novel, The Theatre of Glass and Shadows, will be published in May 2024 by Bonnier.

Anne enjoys working with other writers, through editing, mentoring and teaching.

Review

This book is set in an alternate London in the mid-20th century, featuring an immersive theatrical world inspired by Punchdrunk. In a typical Punchdrunk production, audience members are free to roam the performance site, which can be as large as a five-story industrial warehouse. They can either follow the performers and themes (there are usually multiple threads at any instant), or simply explore the world of the performance, treating the production as a large art installation. Masks are a signature element of Punchdrunk's work. (Thank you, Wikipedia!)

I recently read a book that promised a circus but didn't deliver, so I was worried — and then relieved when this one actually delved into the theatre parts. I'm a theatre kid myself, so I was really looking forward to it, and The Show didn't disappoint!

Something about Juliet's own narrative voice added to the "smoke and mirrors" aspect of the story too, which I thought was brilliant. She got annoying at times, sure, but did she keep me on my toes. What's real and what isn't? Is everything all for show? You'd have to read to find out.

My Rating: ⭐️⭐️⭐️⭐️️

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Hi! I'm Marie, a Filipino SFFH author and book reviewer currently based in the UK. I’m the co-author of The Prophecies of Ragnarok, a Norse myth new adult urban fantasy trilogy, and I also have several short stories published in anthologies and literary journals.

You can find more info about me and my books, and also subscribe to my newsletter for more content, here. And if you like what I do, please also consider supporting me on Ko-fi! 🩷 https://ko-fi.com/mariesinadjan

If you fancy a short read, I have a cozy reimagining of the Norse myths about Hel, but it's just under 70 pages and can be read in one sitting. ✨ Plus there's a swag kit coming soon! Includes a "membership card," a bookmark, a sticker, an origami dog, and an exclusive 500-word story 🫶🏼

All things end, and all must die.

But death is not always the end.

When Geiravor Lokisdottir was stripped of her name and cast out of Asgard, torn from her family and the life she had known, she thought she’d lost it all. But in the shadows of Niflheim she discovers the path to her destiny, and what it truly means to be queen.

This is a prequel short story to THE PROPHECIES OF RAGNAROK trilogy by Meri Benson and Marie Sinadjan, and a retelling of the myths involving Hel, the Norse goddess of death and the queen of the underworld.

ReviewRecommendationGenreFiction
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About the Creator

Marie Sinadjan

Filipino spec fic author and book reviewer based in the UK. https://linktr.ee/mariesinadjan • www.mariesinadjan.com

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