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Uncle Vanya.

Chekhov in The Modern.

By Robert M Massimi. ( Broadway Bob).Published about a month ago 3 min read
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For the modern theater lover "Uncle Vanya" at Lincoln Center's Vivian Beaumont Theater may very well be for you. This "Vanya" is not the typical play by Chekhov; in its new rendition by Heidi Schreck, we get more modern language, modern costumes (Kaye Voyce) and modern direction by Lila Neugebauer. Vanya (Steve Carell) has spent most of his life farming the land so that Alexander (Alfred Molina) can carry on with his art studies as a celebrated professor and teacher. Both Molina and Carell as well as Alison Pill as Sonya are standouts in this production, laying waste to all the other actors in the cast. Where the sound resonates in this well appointed theater (Mikhail Fiksel and Beth Lake), the sets by Mimi Lien are unimpressive. Lap Chi Chu gives us the support on lighting and her moods vary well amongst this two hours and fifteen minutes. "Uncle Vanya" is slow at times, very slow due to Neugebauer's direction. Actors don't always blend well causing pockets of weakness in the dialogue. Both William Jackson Harper as Astrov and Anika Noni Rose as Elena cannot hold the stage nor the attention of the audience. Since the show is put in modern language, these two actors appear more like people in the inner city rather than stage professionals; even their body language goes anathema to this great classic. In a slow-go of this play, the show does pick up almost half way through the first act. The dialogue and the melding of characters never fully catches its stride however. We get a mesh-mosh of thoughts, feelings and adversity, but the true feelings are never brought to the forefront emotionally. At the end of the play we get to hear Vanya rant about his feelings, how he gave up his life for the farm which is weakly portrayed at the back of the theater. The audience never feels his pain as Carell holds back and we never feel the strong emotions. More comedic than serious, he is at his best when the show has him bantering about. In Voyce's costumes we get both the elegant and the mundane. Never overwhelmed by the garb, it fades away like much of this play does. For the modern theater lover, however, there are a lot of things in this show that you will like. The sets which never really blend with the show are intricate and give meaning to the modern. The deft sound keeps the play eery at times especially with the reverbs at different times during the performance. The backdrop in the second act is clever even though it is difficult to sift through the conventional writings of Chekhov... it goes against the grain of what we have seen in the past. "Uncle Vayna" is a mixed bag and is not for everyone, it takes the conventional completely out of the picture and puts us in the new world of modern.

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Next up is "The Great Gatsby" at The Broadway Theatre. With all the tremendous shows this season it will be difficult to nominate, let alone vote on winners this season. I think that "Back to The Future" and "Lempicka" may hold a few surprises at the Tony Awards this season! I thought that both shows were excellent and certainly deserve some nominations and Tony's.

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"Back To The Future", Broadway Bob, www.broadwayworld.com, NY Post, NY Times, CNN, "The Lion King", Boy George, "Tommy", Tony Awards, Broadway, New York City, "Wicked", "The Great Gatsby", "Lempicka", Steve Carell, Alfred Molina, "Harry Potter", James Bond, Medium.com, Vocal Media, No Bull With Raging Robert, Dramatists Guild.

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About the Creator

Robert M Massimi. ( Broadway Bob).

I have been writing on theater since 1982. A graduate from Manhattan College B.S. A member of Alpha Sigma Lambda, which recognizes excellence in both English and Science. I have produced 14 shows on and off Broadway. I've seen over700 shows

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